Showing 1–16 of 104 results

17″ TV logic

The the higher end of TVLogic’s monitoring solutions. This unit features a true 16:9 Aspect Ratio LCD panel with 12-bit video processing performance allowing for faithful reproduction of interlaced video and unparalleled scaling performance. Multi-Format and standard Dual-Link/3G support help to make this unit suitable for the most demanding applications.

24″ Grade 1 TV logic

The LEM-250A is a 24.5” full HD resolution monitor utilising the best OLED display and equipped with all the features of TVLogic’s XVM series reference monitors.

Combined with the TVLogic’s outperforming video processing and colour calibration technology, LEM-250A gives highest picture quality and professional features that is required in the most colour critical work environment.

24″ TV logic

A 24” native 1920 x 1080 display with Multi-Format inputs including 3G/Dual-Link HD-SDI, CC decoding, built-in Waveform and Vector Scope, Audio Demuxing, On-screen Audio Level Meter and various Scan modes.

5.5″ TV logic

A lightweight viewfinder monitor, offers an outstanding picture quality with 5.5” LCD, and Full HD resolution of 1920 x 1080. Innovative and ergonomic design of VFM-058W makes you comfortable in the shooting environment and its light solid magnesium case achieves the highest efficiency of ventilation.

Supports multi-formats including 3G/HD/SD-SDI and HDMI that offers a wide application range from DSLR cameras to Pro camcorder for broadcasting and movie shooting.

Various features such as Max Brightness function, Temperature Adaptive Color, HDMI-to-SDI conversion output, 1:1 pixel mode, Luma(Y’) Zone Check function, DSLR Scale, Waveform, Vectorscope, Range Error, Focus Assist, Markers, Audio Level Meter with speaker and time code display.

5.6″ TV Logic

The VFM-056WP is available in two configurations and is ideal for HD-SLR production. A 6″x 4″x 1″ lightweight magnesium-alloy case houses a 5.6” 1280×800 LED backlit LCD display with a full complement of preferred eatures, including DSLR Scale, Focus Assist, Various Scan Models, Markers, Audio Level Metering with speaker, Time code Display, HDMI loop out via HD-SDI(720p), WaveformVector Scope, Y Level Check and Range Error Check.

Ambient TC Lock it Box

The Ambient Recordings Time Code Lock it box is a light weight Time code syn solution perfect for camera mounting and offering Sound Recordists full confidence that Time Code Sync will stay fixed through out the entire shoot.

Arri 1.2Kw

Arri HMI Lights are high out put daylight balanced lamps offering consistant colour balance from a flicker free dimmable lamp.

Available in: 2.5Kw, 1.2Kw and 575W

Arri 2.5Kw

Arri HMI Lights are high out put daylight balanced lamps offering consistant colour balance from a flicker free dimmable lamp.

Available in: 2.5Kw, 1.2Kw and 575W

Arri 3 Fresnel Kit

Our Arri 3 Fresnel lighting kit consists of 3 Tungsten Arri fresnel lamps at either 650w or 300w.

These lighting kits are a perfect lighitng kit for a wide variety of shooting scenarios and everything required for fast and effecient set up is included.

Arri 575w

Arri HMI Lights are high out put daylight balanced lamps offering consistant colour balance from a flicker free dimmable lamp.

Available in: 2.5Kw, 1.2Kw and 575W

Arri Alexa Plus

The Arri Alexa has become the camera of choice for: Feature films, high end drama, music videos and commercials.

Capable of shooting in Apple Pro Res or Arri RAW* at 2K the Alexa offers unrivalled image quality.

Recording directly to Sony SxS Cards the Alexa ensures ease of use from Image capture through to Post Production.

With integrated wireless operation and the abiliy to use the Arri Lens Data System (LDS) the Alexa is the perfect camera for all productions.

We stock several Alexa Units and they are available in 16:9 or 4:3 Sensor Mode for Anamorphic shooting.

*Arri RAW requires an external RAW recorder.

Arri Alexa XT

The ALEXA XT (Xtended Technology) cameras add a number of significant and unique features to the ALEXA family including:

Super 35 sensor with Open Gate and 4:3 sensor modes, in-camera ARRIRAW up to 120 fps, ProRes 4444 XQ, ProRes 3.2K, internal ND filter, Lens Data System, integrated CDL capture, ARRIRAW checksum, included anamorphic de-squeeze and high speed licenses, new viewfinder mounting bracket as well as a new, super silent fan.

These features will expand on the benefits that have already made ALEXA such an extraordinary success – highest overall image quality and lowest overall production cost through reliability, ergonomics and efficient workflows.