Showing 1–16 of 18 results

Zoom F8 Digital Recorder

The Zoom F8 Multi-Track Field Recorder is designed for professional and enthusiast recording applications on set and in the field, including music, filmmaking, and electronics news gathering (ENG).

Designed to be carried by a shoulder strap or in a bag, the unit features eight analog input channels with lockable XLR/TRS combo jacks that provide +75 dB maximum input gain, and support for +4 dB inputs with an EIN of -127 dBu or less.

It can record up to 10 tracks simultaneously (channels 1-8 plus a stereo mix), or up to eight channels when recording at the A/D converter’s maximum 24-bit 192 kHz resolution

SQN Mixer

A four-input stereo miniature mixer. Four main channels have XLR mic input, bass-cut switches, where mic powering, input attenuators, channel gain and rotary faders are on channels 1 and 2, whereas channels 3 and 4 can be switched between line level and mic level with reduced gain and attenuation. Channels 1 and 2 can also matrix MS into AB stereo.
The output section has a master fader, peak or VU meter (which can also show battery level), switchable limiter, internally adjustable tone inject, balanced main outputs on 5-pin XLR, with second balanced and unbalanced outputs on the same multiway connector as aux monitor return (for single cable connection to recorder/camcorder), and third output, unbalanced on 3.5mm jack.

Headphone monitoring (A or B gauge jack, adjustable level) is switchable between mixer output and aux input, with MS matrixing available for monitoring MS recordings in AB stereo mode. Built-in slate microphone, LED meter illumination and pre-fade listening on channel 4.

Sennheiser 416 Microphone

The Sennheiser 416 is a short shotgun interference tube microphone for film, radio, and television, especially for outside broadcast applications.

Excellent directivity and compact design, high consonant articulation and feedback rejection.

Sony Shotgun Mic

The ECM-VG1 is specifically designed for professional field and studio production applications at an affordable price.

It is extremely lightweight and is supplied with an innovative windscreen that suppresses wind noise, making it a perfect choice for field sound shooting with a compact camcorder or attached to a boom pole.

Rode NTG-2 Microphone

The RĂ˜DE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Sennheiser Headphones

The HD 25-SP are closed dynamic headphones for monitoring, recording and outdoor applications.

They are a lower-cost alternative to the HD 25 II, featuring a simpler headband and a slightly different capsule design, tough and detachable steel cable.

Straight 3.5mm jack plug. Includes screw-on adaptor to 1/4 ” jack.

Micron Radio Mics

Excellent Pro Level Diversity radio mic system.

Professional Sound Recordist and Cameraman’s choice for ENG, EFP, Drama, Filming and Location recording with secured Diversity reception even at hostile radio frequency environments.

Operating over three UHF bands in Europe and four UHF bands in USA and Canada (24MHz).

Sennheiser Radio Microphones

The Sennheiser ew 100 ENG G3 Wireless Microphone Combo System is the latest addition to Sennheiser’s Evolution family of wireless microphones.

The UHF wireless microphone system features 1,680 tunable frequencies, 21 frequency banks and 12 frequency presets per bank.

This package conveniently includes the EK 100 G3 camera mount receiver, SK 100 G3 bodypack transmitter with ME 2 lavalier and SKP 100 G3 plug-on transmitter in one package.

Sennheiser IEM

The Sennheiser IEM (In Ear Monitoring) System is a light weight and versatile system designed for use as a Directors Monitoring system but equally at home being used as a wireless receiver for camera systems.

Sony ECM 77 Lavelier Mic

The Sony ECM-77 is a wired omnidirectional Lavelier Microphone with XLR pre-amp.

The ECM-77 is probably the most often seen lapel microphone on TV and it is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design.

Ambient TC Lock it Box

The Ambient Recordings Time Code Lock it box is a light weight Time code syn solution perfect for camera mounting and offering Sound Recordists full confidence that Time Code Sync will stay fixed through out the entire shoot.

Mackie 16 Channel Mixer

The Mackie 1604-VLZ PRO Mixer is a major upgrade for Mackie’s already highly respected mixers! The 1604 improves upon its predecessor with XDR preamps that deliver even lower noise and higher headroom (0-60dB gain range, 130dB dynamic range, +22dBu line input handling, and distortion under .005%). They head up all 16 channels, which also feature high-headroom line inputs and channel inserts. Other features include a DC pulse transformer for RF rejection, 60mm long-wearing logarithmic-taper faders, 3-band channel EQ with sweepable mids, phantom power, solo switches, balanced inputs/outputs (all except inserts), 4 aux sends, 4 stereo aux returns, 8 direct outs. It’s a flexible, powerful mixer that can serve equally well in PA rack or studio.